The Insatiable Trajectory of the (Lacanian) Real in McQueen’s “Shame” & von Trier’s “Melancholia”
“Both films reveal that the Real of desire hides behind the objective coordinates of our subjective freedoms.”
“Both films reveal that the Real of desire hides behind the objective coordinates of our subjective freedoms.”
“…the film re-examines love in a way in which hasn’t been done in cinema before.
Her not only explores the seemingly irrevocable seamlessness in which humans and technology become one. This is a constant thematic undertow in the film’s plot and narrative…”
A website and blog by Chris Rosas
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an otherwise excellent blog
Between Subject and Object
Philosophical Writings
Writer and philosopher interested in philosophy, psychoanalysis, politics.
historiography for the masses