“Simply…not…there”: Alienation in “American Psycho” vis-à-vis Lacan & Marx

the / teeth / beneath

The 2000 movie American Psycho is one of the most misunderstood and debated movies in cinema history because of its social, linguistic, gender, existential, and metaphysical implications. A myriad of critics have examined the film under a postmodern lens, but there are more subtle forces at work within its protagonist’s existential journey. In the scene where Patrick Bateman, the film’s protagonist (Christian Bale) prepares his morning routine we get deeper insight into the source of his alienation, as he is alienated from sanity, mankind, and from his own true sense of identity and individuality. Just as Lacan concluded that we are defined and alienated by language, we find that Bateman is no exception. In his morning routine monologue, he introduces his home, age and name, and simultaneously reveals his social class in the Marxian sense.
The signified ideas behind the signifiers in his monologue (his particular choice and ordering of his…

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